The OPL is a digital sound synthesis chip developed by Yamaha in the mid 1980s. Among other products, it was used in sound cards for PC, including the Adlib card.
At a technical level: the emulator has channels comprised of 2 oscillators each. Each pair of oscillators is usually combined via phase modulation (basically frequency modulation). Each oscillator can produce one of eight waveforms (sine, half sine, absolute sine, quarter sine, alternating sine, camel sine, square, logarithmic sawtooth), and has an ADSR envelope controlling its amplitude. The unusual waveforms give it a characteristic sound.
Before I wrote this, I didn't know much about VST or the OPL at a technical level. This is the first VST plugin I've written. The sample rate is locked at 44.1 kHz. In hindsight I would have implemented things a bit differently, but it all basically works, and is now reasonably well tested.
Each instance of the plugin emulates an entire OPL chip, but polyphony is implemented by using a channel per note. Parameter changes applied to all channels. With this plugin, essentially you are just working with two operators.
- [AdLib programming guide](http://www.shipbrook.net/jeff/sb.html) Dates back to 1991!
- [Another programming guide](http://www.ugcs.caltech.edu/~john/computer/opledit/tech/opl3.txt) This one is for the OPL3, but most of the information still applies.
Percussion mode is now supported! This mode is not very well documented, even in the original Yamaha documentation. It works with the DOSBox emulator, but doesn't seem to work too well in the ZDoom emulator. Here are some tips on using it based on experimentation and looking at the DOSBox source code.
- Bass drum: Uses both operators. Essentially just doubles output amplitude?
To figure out the parameters used by the original games, I just added a printf to the DOSBox OPL emulator, compiled DOSBox, ran the games, and captured their output as raw register writes with timestamps.
I hacked together a Python script which parses the raw output, identifying unique instruments and outputting the parameter values.
The emulation (ie, the hard part!) is taken straight from the excellent DOSBox and ZDoom projects. I also used a function from libgamemusic by Adam Nielsen for converting frequencies from Hertz into the "FNUM" values used by the OPL.
The VST was written using Juce, a cross-platform C++ library inspired by the Java JDK. Among other things, Juce provides a GUI for generating boilerplate for audio plugins.
So far I've only built under Windows. Thanks to Juce, it should be possible to build under OSX and Linux too. **Volunteers to build OSX/Linux releases would be appreciated** (XCode required for OSX).